Photographers capturing "Three Studies for Figures at the Base of a Crucifixion" (1944) by Francis Bacon. One critic described that picture as a reflection of ‘the atrocious world into which we have survived’. ‘Fury’ is a variant of the right panel of the triptych Three Studies for Figures at the Base of a Crucifixion, 1944, which became Bacon’s first famous work. Bacon translates their apparent agony and devotion into three hybrid beasts akin to “The Eumenides, vengeful furies of Greek myth,” according to the Tate. In reading the book I came across three different paintings by Bacon, these paintings have come to influence my work significantly as they provide such powerful visual pleasure and meaning. In 1944, one of the most devastating years of World War II, Francis Bacon painted Three Studies for Figures at the Base of a Crucifixion. Francis Bacon - Three Studies for Figures at the Base of a Crucifixion, 1944 The dark tone typical for Bacon ’s painting resonates better with the war itself than the post-war period, although most of his significant works that were made later in the 20th century remained equally destructive and emotionally disturbing. The canvasses are based on the Eumenides—or Furies—of Aeschylus's Oresteia, and depict three writhing anthropomorphic creatures set against a flat burnt orange background. In reading the book I came across three different paintings by Bacon, these paintings have come to influence my work significantly as they provide such powerful visual pleasure and meaning. Francis Bacon’s ‘Three Studies for Figures at the Base of a Crucifixion’ (1944) This painting is a piece that has always, in Bacon’s own words ‘unlocked the valves of feeling’ within me. The work is based on the Eumenides—or Furies—of Aeschylus' The Oresteia, and depicts three writhing anthropomorphic creatures set against a flat burnt orange background. One of Francis Bacon’s classic triptychs, Three Studies for Figures at the Base of a Crucifixion examines, in detail, the secondary characters depicted at the foot of the cross in religious paintings. Three Studies for Figures at the Base of a Crucifixion, 1944 by Francis Bacon. With this horrific triptych depicting vaguely anthropomorphic creatures writhing in anguish, Bacon established his reputation as one of England’s foremost figurative painters and a ruthless chronicler of the human condition.… Credit: ADRIAN DENNIS/AFP/AFP/Getty Images Bacon was already in his mid-30s by then … 95 × 73.5+73.5+73.5 cm Tate Modern Trois études de figures au pied d une crucifixion … Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. 58. The first piece to inspire me was Bacon’s 1944 Triptych “Three Studies for Figures at the Base of a Crucifixion” (displayed above). In Bacon's art, the crucifixion does not just refer to the death of Christ, but also to any image of corporeal suffering, pain, and mortification. "Three Studies for Figures at the Base of a Crucifixion" is a painting on a set of three panels, referred to as triptych. In reading the book I came across three different paintings by Bacon, these paintings have come to influence my work significantly as they provide such powerful visual pleasure and meaning. Archived. In 1944, one of the most devastating years of World War II, Francis Bacon painted Three Studies for Figures at the Base of a Crucifixion. share. Three Studies for Figures at the Base of a Crucifixion, c.1944. Although the name of Three Studies references a crucifixion, there are no direct references to Jesus Christ or his crucifixion. New comments cannot be posted and votes cannot be cast. From Tate Liverpool, Francis Bacon, Three Studies for Figures at the Base of a Crucifixion (1944), Oil paint on 3 boards The first piece to inspire me was Bacon’s 1944 Triptych “Three Studies for Figures at the Base of a Crucifixion” (displayed above). 95 × 73.5+73.5+73.5 cm Tate Modern Trois études de figures au pied d une crucifixion … Add to basket. Posted by 1 year ago. Details Three Studies for Figures at the Base of a Crucifixion 1944 Catalogue Raisonné Number 44-01 Oil and pastel on Sundeala board 94 cm × 74 cm (37 in × 29 in) Tate, London Based on the Eumenides—or Furies—of Aeschylus' The Oresteia, donated to the Tate in 1953 by Bacon's lover, Eric Hall.Bacon painted Second Version of Triptych 1944 in 1988. One of Francis Bacon’s classic triptychs, Three Studies for Figures at the Base of a Crucifixion examines, in detail, the secondary characters depicted at the foot of the cross in religious paintings. Three Studies for Figures at the Base of a Crucifixion and mythology. This is a Tate Images licensable image titled 'Three Studies for Figures at the Base of a Crucifixion' by Tate Images. With this horrific triptych depicting vaguely anthropomorphic creatures writhing in anguish, Bacon established his reputation as one of England’s foremost figurative painters and a ruthless chronicler of the human condition.… Francis Bacon’s ‘Three Studies for Figures at the Base of a Crucifixion’ (1944) This painting is a piece that has always, in Bacon’s own words ‘unlocked the valves of feeling’ within me.